All Things Considered

David Rowell is an editor with The Washington Post. His first novel, The Train of Small Mercies, is just out in paperback.

When I was growing up in North Carolina, my family went to the same beach every year; it had the sand, the water and pretty much nothing else. Mostly that was OK, but the idea of a boardwalk, which I caught glimpses of on TV or in movies, seemed wondrous to me — like a carnival rolled out from a wooden carpet.

It's been almost 50 years since President Lyndon Johnson declared a "War on Poverty." But today, the poverty rate in the U.S. is the highest it's been in 17 years, affecting some 46 million people.

The economy is partly to blame, but even in good times, millions of Americans are poor.

That's been a longtime concern for Maurice Lim Miller. He ran social service programs in the San Francisco Bay Area for 20 years. Then one day, the painful truth hit.

"The very first kids I had trained back in the early '80s, I saw their kids now showing up in my programs," he says.

Al-Qaida has been subtly testing a new strategy. In the past couple of years, the group's affiliates have been trying their hand at governing — actually taking over territory and then trying to win over citizens who live there. It happened with various degrees of success in Somalia and Yemen, and recently in the northern deserts of Mali.

Imagine you're a movie producer, and you've got a couple of hundred million dollars to gamble on a single massive blockbuster. Which genre do you suppose will be your safest bet — superhero? Action-adventure? Sci-fi? All of those have had huge successes, but they've also all had hugely expensive failures.

There's one genre, though, that's hardly a gamble at all. It's been almost foolproof since it first came into being in 1995: computer animation.