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  • Israel decides not to expand its 17-day-old offensive in Lebanon, one day after its soldiers suffered their bloodiest day in the battle against Hezbollah. Nine soldiers were killed Wednesday, and almost two dozen wounded, in two Lebanese towns near Israel's northern border.
  • CIA Director Porter Goss resigns unexpectedly, leaving behind a spy agency still battling to recover from intelligence failures leading up to the terrorist attacks of Sept. 11, 2001, as well as faulty information that helped bring about the U.S. invasion of Iraq.
  • Bettye LaVette is currently celebrating her 60th birthday, and her latest album, I've Got My Own Hell to Raise. And as she's done for four decades, she's still raising hell on the concert circuit.
  • As companies continue to scale back pensions for their workers, some CEOs will earn millions of dollars annually in retirement, according to figures released by the AFL-CIO.
  • It's hard to imagine summer without a visit to an amusement park... and a heart-stopping rollercoaster ride. Every year, the coasters seem scarier. In Orlando, Disney seeks to raise a coaster's scream quotient while keeping it deceptively slow.
  • Food guru Mark Bittman and chef Chris Schlesinger have been at odds for years over just the right way to cook. They debate simple vs. fancy techniques for summer grilling.
  • Tejano singer Selena died in 1995. NPR's A Martinez talks to Maria Garcia, creator and host of the podcast Anything for Selena, about projects that will keep Selena's music alive for new generations.
  • Condiment company Hidden Valley created the diamond in a process that involved heating dry ranch seasoning to 2,500 degrees Fahrenheit, then crushing it under 400 tons of pressure for months.
  • One baby was born at Advocate Christ Medical Center outside Chicago. Another at a hospital in Burlington, N.C., in Room 2. And in Salt Lake City, two different hospitals delivered babies at 2:22.
  • Singer, musician and folklorist Mick Moloney's new album, McNally's Row of Flats, centers on theater songs by an Irish songwriting team from the late 1800s. In those days, Vaudeville and minstrelsy were giving way to American Musical Theater in New York City.
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