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  • Investors were left holding a $50 billion bag this week when money manager Bernard Madoff admitted to what could be the largest Ponzi scheme ever. Barbara Flood lost a great deal of money in the fraud case.
  • María Gainza's protagonist — also named María — combines the her experiences of art with her personal experiences for an unpretentious, imaginative and compelling account of her life.
  • Robert Harris' new An Officer and a Spy is a fictionalized account of the Dreyfus Affair — which, as critic Alan Cheuse notes, is tailor made for Harris' talents: there's an innocent victim at the center, a melodramatic villain, buffoonish military brass, crusading newspaper editors and a star turn from the novelist Emile Zola.
  • Mitchell compares tweeting the story of his latest novel to escaping a straitjacket. "I like what I had to do to circumvent [Twitter's] restrictions," he says.
  • In 1963 Betty Friedan published a groundbreaking work that empowered a generation of women. With World War II over, women who had been working were told to find fulfillment at home. "The moment was so pregnant and ready for an explosion," says New York Times columnist Gail Collins.
  • Videos and photos provide some clues, but much remains unknown about the horrific explosion at the site.
  • The first-ever murder conviction of a member of the Indian cabinet is seen as an embarrassment for the government. It also raises questions about crime in the body politic of the world's largest democracy.
  • New York Times food columnist Mark Bittman is known for his straightforward approach to recipes. In How To Cook Everything: Vegetarian, he explains how to make more than 2,000 meatless meals.
  • J. Michael Lennon's mammoth new Norman Mailer: A Double Life draws on 25 years of access to its subject. Reviewer Alan Cheuse — himself a Mailer fan — says the biography is a "satisfying experience" that reads almost as if it came directly from the writer himself.
  • Rachel Joyce's new novel offers two parallel narratives: the 1972 story of Byron, an anxious schoolboy, and the present-day account of Jim, a supermarket worker who has spent most of his life in institutional care. But critic Ellah Allfrey says that the novel is made up of two distinct and unequal parts.
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