John Burnett

As NPR's Southwest correspondent based in Austin, Texas, John Burnett covers immigration, border affairs, Texas news and other national assignments. In 2018 and again in 2019, he won a national Edward R. Murrow Award from the Radio-Television News Directors Association for continuing coverage of the immigration beat. In December 2018, Burnett was invited to participate in a workshop on Refugees, Immigration and Border Security in Western Europe, sponsored by the RIAS Berlin Commission.

Though he is assigned to the National Desk, his beat has sometimes stretched around the world.

He has filed stories from more than 30 countries since joining NPR in 1986. In 2012, he spent five months in Nairobi as the East Africa Correspondent, followed by a stint during 2013 as the network's religion reporter. His special reporting projects have included working in New Orleans during and after Hurricane Katrina, as an embedded reporter with the First Marine Division during the 2003 invasion of Iraq, and continuing coverage of the U.S. drug war in the Americas. His reports are heard regularly on NPR's award-winning newsmagazines Morning Edition, All Things Considered, and Weekend Edition.

Burnett's 2008 groundbreaking four-part series "Dirty Money"—which examined how law enforcement agencies have gotten hooked on and, in some cases, corrupted by seized drug money—won three national awards: a Scripps Howard National Journalism Award for Investigative Reporting, a Sigma Delta Chi Society of Professional Journalists Award for Investigative Reporting, and an Edward R. Murrow Award for the accompanying website. His 2007 three-part series "The Forgotten War," which took a critical look at the nation's 30-year war on drugs, won a Nancy Dickerson Whitehead Award for Excellence in Reporting on Drug and Alcohol Problems.

In 2006, Burnett's memoir, Uncivilized Beasts & Shameless Hellions: Travels with an NPR Correspondent, was published by Rodale Press. In that year, he also served as an Ethics Fellow at the Poynter Institute for Media Studies in St. Petersburg, Florida.

In 2004, Burnett won a national Edward R. Murrow Award for investigative reporting for his story on the accidental U.S. bombing of an Iraqi village. His work was singled out by judges for the Alfred I. duPont-Columbia University Award honoring the network's overall coverage of the Iraq War. Also in 2003, Burnett won a first place National Headliner Award for investigative reporting about corruption among federal immigration agents on the U.S.-Mexico border.

In the months following the attacks of September 11, Burnett reported from New York City, Pakistan, and Afghanistan. His reporting contributed to coverage that won the Overseas Press Club Award and an Alfred I. duPont Columbia University Award.

In 2001, Burnett reported and produced a one-hour documentary, "The Oil Century," for KUT-FM in Austin, which won a silver prize at the New York Festivals. He was a visiting faculty member in broadcast journalism at the Poynter Institute for Media Studies in 2002 and 1997. He received a Ford Foundation Grant in 1997 for a special series on sustainable development in Latin America.

Burnett's favorite stories are those that reveal a hidden reality. He recalls happening upon Carlos Garcia, a Mexico City street musician who plays a musical leaf, a chance encounter that brought a rare and beautiful art form to a national audience. In reporting his series "Fraud Down on the Farm," Burnett spent nine months investigating the abuse of the United States crop insurance system and shining light on surprising stories of criminality.

Abroad, his report on the accidental U.S. Air Force bombing of the Iraqi village of Al-Taniya, an event that claimed 31 lives, helped listeners understand the fog of war. His "Cocaine Republics" series in 2004 was one of the first accounts to detail the emergence of Central America as a major drug smuggling region. But many listeners remember the audio postcard he filed while on assignment in Peshawar, Pakistan, after 9/11 about what it was like being, at six-foot-seven, the "tallest American at a Death-to-Americarally."

Prior to coming to NPR, Burnett was based in Guatemala City for United Press International covering the Central America civil wars. From 1979-1983, he was a general assignment reporter for various Texas newspapers.

Burnett graduated from the University of Texas at Austin with a bachelor's degree in journalism.

Trump's massive border wall gets all the buzz.

But U.S. Customs and Border Protection is quietly testing a new generation of free-standing surveillance towers, on the Arizona border, that could revolutionize border security. The telescoping towers are equipped with infrared and daytime cameras, along with laser range-finders and illuminators that can zoom in on a target miles away for a close-up. They're mounted in the bed of a Ford F-150 pickup, so they're completely mobile and can be operated remotely.

The figure of a young Confederate soldier holding a rifle has gazed out from his pedestal in front of the Harrison County Courthouse in the piney woods of northeast Texas for 114 years.

The 8-foot statue was a gift — like hundreds of others across the South — from the United Daughters of the Confederacy. They are memorials to the war dead and, historians say, monuments to white supremacy and Jim Crow laws.

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DAVID GREENE, HOST:

When Border Patrol agents were dispatched earlier this month to Portland, Oregon, it wasn't the first time they've taken on urban policing far from their duties on the nation's frontiers.

The agents deployed to Los Angeles, for instance, after the Rodney King verdict in 1992. Alongside local police and National Guard, the green-suited border agents were there to quell riots but drew a lot of criticism for also conducting immigration sweeps of people in the country illegally.

The movement for racial justice is toppling statues across America, from Robert E. Lee to Christopher Columbus — and now the Spanish conquistador, Juan de Oñate, the first European to colonize the arid wilderness of New Mexico, the state's first colonial governor and a despot who inflicted misery on Native Americans.

Tensions boiled over recently at a demonstration to remove his statue, where a man seen defending the statue allegedly shot a protester. The confrontation has revealed fault lines over how native and Hispanic history are told.

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